Conjuring reality and wonder, “Speak so I Can See You” takes us to a seemingly different era, by exploring the world of Radio Belgrade.
One of Europe’s oldest radio stations and a true institution of the city, the station still broadcasts original programming and helps keep history, culture and critical thought, as well as ever-relevant questions about ourselves and the world, from slipping out of memory and mind.
Set at the intersection of an observational documentary and a unique sensory experience, the film conjures everyday scenes at the station and immersing interludes exploring the relationship between sound and the space it inhabits. Through a synesthetic blend of sounds, words, notes, echoes and light, we are taken into a unique cinematic soundscape that doubles as a love letter to radiophonic art and its disarming insight into what makes us remember, understand, think, discover, and feel.
Title. Speak so I can see you
Genre. documentary feature, 73'
Year. November 2019
Production house. Bilboke
Co-production. Set Sail Films, Restart
Countries of production. Serbia, Croatia, Qatar
Supported by. Film Center Serbia, Eurimages (Lab Project Award, 2017), DOHA Film Institute, Yle
Director and Writer. Marija Stojnić
Producers. Marija Stojnić, Miloš Ivanović
Cinematographer. Dušan Grubin
Editors. Kristina Poženel, Ivan Vasić
Sound designer. Ivan Zelić
Co-producers. Vanja Jambrović, Tibor Keser
Featuring radiophonic piece “Jezik” by Svetlana Maraš
Original composition in the film: “Arhiva” by Filip Mitrović
Upcoming and current screenings
Upcoming and current screenings
World sales&festivals: Wouter Jansen/Square Eyes
Educational sales: Collective Eye Films
Slected Past Festivals and Screenings.
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International Documentary Film Festival Amsterdam, the Netherlands, 2019
IDFA First Appearance Competition -
MoMA’s Doc Fortnight, United States, 2020
Official Selection -
Thessaloniki Documentary Festival, Greece, 2020
Open Horizons -
Dok.fest München, Germany, 2020
Dok.Panorama -
Underhill Fest, Montenegro, 2020
Regional Selection, Special Jury Mention -
Atlántida Film Fest, Spain, 2020
Official Selection -
Melbourne International Film Festival, Australia 2020
Official Selection -
Dokufest, Prizren, Kosovo, 2020
Regional competition -
제천국제음악영화제 Jecheon International Music and Film Festival, South Korea 2020
International competition -
Beldocs – International Documentary Film Festival, Serbia, 2020
National Competition & Opening Film, Won: Grand Prix - ZagrebDox - International Documentary Film Festival, Croatia, 2020
Regional competition -
Tirana International Film Festival, Albania, 2020
Documentary competition -
Imagine Science Film Festival, United States, 2020
Retroactive competition -
FONOMO Music & Film Festival, Poland, 2020
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Escales Documentaires-International Festival Of Creative Documentary, France, 2020
International Competition, Special Jury Mention -
Listapad Minsk International Film Festival, Belarus, 2020
Main Documentary Competition -
Cinema Verite - Iran International Documentary Film Festival, Iran, 2020
World’s Section -
VAFS, Valjevski filmski susreti Central Serbia, Official Selection
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Caracasdocs – Festival de Cine Documental, Venezuela, 2021
International Competition, Won: Best film -
St. Andrews Film Festival, Scotland, 2021
International competition, Won: The Saint Andrew Award for Best Film, The Winston Ryder Award for Best Sound -
Norient Film Festival, Switzerland, 2022
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Zagreb - Dokukino Kic, 2022
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New Handwritings from the Balkans Switzerland - Bern, 2022
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Festival de Cinema na Casa - Lisbon, Portugal, 2022
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Santiago Del Estero Film Fest, Argentina, 2022
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HARRIS THEATER, PITTSBURGH, PA, MARCH 2024
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DKC, Belgrade, Serbia - 14.02.2024
Selected press (in English):
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IDFA 2019: Telling Truths and Meeting Friends – Patricia Aufderheide
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Interview: Marija Stojnić • Director of Speak So I Can See You – Vladan Petkovic
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Review and talk announcement: Speak so I can see you Deirdre Boyle
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Beat Magazine Australia: the must see music films at this years' Melbourne International Film Festival - Arielle Richards
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ExBerliner: Highlights from DokFest München,David Mouriquand
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The Guardian - Tuning in to a radio station’s soul - Phil Hoad